A sound-based, site-specific installation by Pat Badt and Scott Sherk                                  Curated by Creighton Michael                        February 10-March 2, 2012

The LAB: GALLERY is pleased to present Intersection, a sound-based, site-specific installation by Pat Badt and Scott Sherk.

Badt and Sherk’s creative practice involves cultivating awareness of the qualities of specific spaces through the realignment of the senses. This installation, Intersection, concentrates on the stop and go of the midtown traffic outside the gallery, focusing on the pulse and energy of the city.  A hanging string column cycles between stillness and movement, while real time video  sonograms and spectrograms are projected on to the gallery walls making the sound of the intersection visual.

Intersection: The Teaser

Pat Badt and Scott Sherk have collaborated on several site-specific installations, shown at Katonah Museum of Art, the Kim Foster Gallery, Point, Line, Lafayette College, Marshall University and Martial Arts Center, Memphis.  Pat Badt is a painter and a Professor of Art at Cedar Crest College.  Scott Sherk is sculptor who often works with sound.  He most recently completed a sound project for the Katonah Museum of Art and is a Professor of Art at Muhlenberg College.  Together Pat Badt and Scott Sherk curate thethirdbarn.org.

All works of art and performances in THE LAB:GALLERY are shown within the confines of the space, and are intended to be viewed by the audience from the sidewalk.  This event is free and viewable 24/7.

MORE ABOUT THE LAB:GALLERY

THE LAB:GALLERY
[a roger smith collaboration]
501 Lexington Ave
New York NY 10017
ph. 212.339.2092
www.thelabgallery.com
rogersmitharts@rogersmith.com

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The mission of the New York City Classical Guitar Society is to provide a framework for the shared enjoyment and exploration of the classical guitar in New York City, and to promote awareness and appreciation of its heritage and influence across musical genres, bringing together performers, composers, supporting members of the guitar community, and the listening public in ways that enrich the experience of all.nyccgs.com

The Solarium at The Roger Smith Hotel
501 Lexington Ave, at 47th Street, New York NY 10017
Cross Street: 47th Street and Lexington Avenue
Subway: E, 6, V to 53rd and Lexington or 4, 5, 6, 7 to Grand Central
Tickets: $15 (paid at door, cash only)

Reservations: call 212.339.2092 or email rogersmitharts@rogersmith.com
Find more information about the series HERE

The series is co-sponsored by the New York City Classical Guitar Society.

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Experiential theater in its most raw form, this famous Greek tragedy will unfold around audience members in the hotel’s intimate penthouse. One of the most unusual and private spots in the city, this space is most notable for its domed ceiling that inspired the famed architect Buckminster Fuller to design his Geodesic Dome. The distinctive room provides for a dramatic staging of the play as actors unexpectedly emerge from side rooms, back rooms and even exterior balconies, sharing the close space with the audience, bringing a fresh immediacy to this re-telling of an ancient classic.

THE LAB Presents “Actors: On Acting” The Cast of Agamemnon:Redux

“I’m a New Yorker, born and raised. And the clarity of language is important to me” says Obie Award-winning playwright Robert Auletta (Peter Sellars’ AJAX and THE PERSIANS). “Language needs to be visceral. I’m trying to do something that brings the story to today’s audience and makes it accessible in the same way it may have been experienced by a Greek audience in 485 B.C.”

Director Kenneth Ryan (founding member of American Repertory Theatre)says “This is a lean, mean fighting machine performed by six actors, using a raw poetic text that brings the traditional elements of Aeschelus’ work into the vernacular of today. The Wild Bunch takes on the Greeks.”

Agamemnon:Redux opens Thursday February 23^rd and runs through Sunday March 18^th, Thursdays through Sundays at 8PM. Seating is extremely limited and tickets are $18. There will be a “Tweetview” performance (open to anyone reserving their seat through Twitter) on February 21^st. Send us a tweet! @AgaRedux

For Further information visit www.agamemnonredux.com
CONTACT: Danika Druttman at 212.339.2092 or email rogersmitharts@rogersmith.com.

THE LAB: THEATER
[a roger smith collaboration]

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THE LAB: GALLERY is pleased to present Breath of Water, an installation by Carol Mickett and Robert Stackhouse.

Breath of Water is part of the artist’s on-going exploration into the representation of water both two-dimensionally and three-dimensionally. Their work is framed by the ideas of two Presocratic philosophers: Thales and Heraclitus. Thales discusses the omnipresence of water and it’s shape-shifting ability when he claimed that everything is water. Heraclitus, by asserting that one can not step in the same river twice, argues that identity is deeply rooted in change. Breath of Water looks at winter water as an almost secret environment not unlike the world inside a snow globe.

Carol Mickett and Robert Stackhouse have been collaborating since 1999. During this time, they have produced large-scale sculpture, painting, and prints. Mickett comes to the collaboration from a background in philosophy, film, radio, poetry, and theater. Stackhouse followed a traditional visual arts path, and his individual work can be found in museum collections around the world including the Museum of Modern Art, The National Gallery of Australia, and the Corcoran Gallery of Art. Both Mickett and Stackhouse hold Ph.Ds: Mickett in philosophy and Stackhouse has an honorary doctorate from his alma mater, the University of South Florida.

All works of art and performances in THE LAB: GALLERY are shown within the confines of the space, and are intended to be viewed by the audience from the sidewalk.  This event is free and viewable 24/7.

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Warmest wishes from us on the corner of 47th and Lex,

Matt and Danika

THE LAB
[a roger smith  collaboration]
501 Lexington Ave NYC (map)
212.339.2092
email address
www.thelabgallery.com
www.rogersmithlife.com

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The Solarium at The Roger Smith Hotel
501 Lexington Ave, at 47th Street, New York NY 10017
Cross Street: 47th Street and Lexington Avenue
Subway: E, 6, V to 53rd and Lexington or 4, 5, 6, 7 to Grand Central
Tickets: $15 (paid at door, cash only)

Reservations: call 212.339.2092 or email rogersmitharts@rogersmith.com
Find more information about the series HERE

The series is co-sponsored by the New York City Classical Guitar Society.

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Educated both in England and America, Helen Dennis has decided to stay on the States, where she appreciates the openness of the art world she participates in. Part of this freedom has to do with the styles and themes the artist has chosen–Dennis works figuratively, primarily describing architecture and outdoor street life in white on black drawings; she takes numerous snapshot photos of her chosen site, then projecting them onto black paper and painting or drawing the images according to her photographic guide. For the current project at The LAB (on through September 2^nd), Dennis has used the corner gallery space as an ongoing experimental site, rendering the roads—47^th Street and Lexington Avenue—and their buildings, which have been projected from numerous photographic snapshots fitted together. As a result, her stay at the gallery means several things at once: a chance to see someone work on a big picture, the ability to see the work develop over time, and the opportunity to consider the relations between the rendered image and the actual visual cues that inspired it.

Dennis, who is at great pains to be precise and accurate in her vision, has been using markers filled with reflective silver paint, which is applied to black paper put up on the wall; the work’s presence at night is spectacular, animated by a spectral glow that is never diffuse because of the right-angled architectural features she is presenting to her audience. The results are wonderfully visual: the iridescence of the silver results nearly in an image that looks like it is electrically lit! Of course, that isn’t Dennis’s point, which is instead oriented toward a poetic re-presentation of the city, at a site whose coordinates match those of the streets immediate outside it. Dennis, whose activities and friendships are truly international in their implications, shows us just how urban—and urbane—we have become in New York, one of the great art capitals of the world. Although the blocks framing the gallery do not stand out to the casual passerby, it is clear that the artist is using them as a reference to the seen reality of a city street, whose rhythm and building supports both are captured by Dennis’s skillful renderings. And it is a wonderful thing to be able to track imagined realism with the actual objects themselves, however close or loose relations might be between the two.

Two of the four walls consist of glass windows, allowing a casual viewer passing by outside to gauge the two other walls, which Dennis has covered with black paper. She has complete command of perspective, given the sharp angles of the buildings and streets she presents by using the markers. Rows of windows are caught, and their angled parallelograms are filled in, leaving a very bright impression of a façade; other urban details are paid attention too: streetlamps, one-way traffic signs, and, a favorite object of Dennis’s, bicycles. In a way, it would be easy to view Dennis’s journey as an impressionistic attempt to give the city its due, but my feeling is that she is offering more than a map of New York. It has something to do with the ambience of the city, an unspoken presence that is captured by Dennis’s playing close attention to detail—for example, on the second wall, there is a door leading to the hotel space the gallery is part of; Dennis has accommodated its access by drawing carefully across, to the point where the outline of the door is difficult to see. Dennis, a gifted craftsperson, also knows how New Yorkers are often emotional, even triumphalist about the experience of their city. As someone coming from England, she keeps her affection for New York in practical restraint, even as she makes it clear that she too loves the everyday experience of America’s great metropolis.

By Jonathan Goodman

The LAB (for installation + performance art) is a New York based, converted storefront producing fast paced performance art and site-specific installations. Viewable exclusively from the sidewalk and aimed at the furious midtown foot traffic, The LAB’s exhibitions seek to throw a moment of uncertainty into the predictable monotony of the midtown shuffle, forcing an interaction between the high energy, “outrospective” work it produces and the nearly 25,000 daily passersby. The LAB is located on the North East corner of 47th and Lex and is a Roger Smith Collaboration

For more information about The LAB CLICK HERE

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The LAB (for installation + performance art) is pleased to present Fantastic Lonely Heart, a light based installation by the Korean artist Hyong Nam Ahn.

Ahn uses “the magical and transcendent” qualities  of neon light as a way of exposing the arduous aspects of the human condition; much like the great Spanish philosopher Ortega Y Gasset did in the 1920′s writing on the conflicts intrinsic to modernity and the impact of industrialization’s rapid spread, specifically regarding the increasing disappearance of human values. Despite being separated by both decades and continents, the importance of maintaining an equal balance between spiritual and material realities is a philosophy shared by both the spaniard and this sculptor here.

Video: Studio Visit with Hyong Nam Ahn

This exhibition was made possible in part by the support of the AHL Foundation.

Hyong Nam Ahn has lived and worked in the United States since 1973. He holds an MFA (1980) in Sculpture with Kinetics and a BFA (1978) in Painting & Experimental Art from School of the Art Institute of Chicago. He has worked in the fields of sculpture, installation, and public art installation.He earned Illinois Project Completion Grant (1982), Wiebolt Artist Contest, Gold Key Award Scholastic National Drawing Contest, First Prize Award (1974). He has shown in many solo and group exhibitions in Museum of Contemporary Art in Chicago, Tweed Museum; MN, Jamaica Cultural Center in New York, and IHN Gallery (Korea). website

The AHL Foundation is a non-profit organization formed in 2003 by Sook Nyu Lee Kim to support Korean artists living in the United States and to promote exposure of their work in today’s highly competitive contemporary art world. In 2004, the foundation established an annual competition that is open to all artists of Korean ancestry living in the United States. AHL awards four monetary prizes each year and has been mounting bi-annual exhibitions to display the winning works. Since 2008, AHL has advanced to an annual exhibition, and this year, 2010, AHL has expanded its awards to honor five artists, thus broadening their scope of diversity and opportunity. website

The Roger Smith is a hub for social media in #NYC. People. Art. Food. Wine. For 10% off our best available rooms rate: bit.ly/RSrooms

twitter: twitter.com/rshotel
fb: facebook.com/rogersmithhotel
blog: bit.ly/RSlife
web: rogersmith.com/

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Luciano Berio: Duetti (selections)
Béla Bartók: Duets (selections)
Larry Polansky: #4 (heterophony) from four doods (@ $6.25)
Luigi Nono: “Hay que caminar” soñando

Once a month, the Talea Ensemble curates The Fourth Sundays Chamber Music Concert in The Penthouse at The Roger Smith Hotel. The series aims to promote the accessibility of contemporary classical music; each concert focuses on one single piece by dissecting its inner-workings, while considering the external factors of its conception and existence.  The concerts are interactive in that the audience is considered an equal participant in the performance; they are encouraged to ask questions and participate in discussions after the music is performed.  The reception immediately following serves as a platform for discussion of the work among people of all ages and backgrounds.

Roger Smith Arts is a multi-disciplinary arts-production company providing cultural entertainment as a way to promote dialogue within and between the leading disciplines of the New York and global art worlds. The company’s mission is to establish itself as a pre-eminent and sought-after cultural institution to the city of New York. Recognizing dialogue as the backbone of any cultural organization, RSA embraces variety as a means to foster the exchange of creative ideas. RSA produces concerts, readings, performances, installations, and lectures, all with leading creative intellectuals.

For further information please call 212.339.2092 or rogersmitharts@rogersmith.com

***

QUICK INFORMATION
The Fourth Sundays Chamber Music Series with the Talea Ensemble
Presented by Roger Smith Arts
The Penthouse at The Roger Smith Hotel
501 Lexington Avenue, New York, NY 10017, 47th and Lexington (Map)
Subway: E, 6, V to 53rd and Lexington or 4, 5, 6, 7 to Grand Central
Sunday November 27th at 4pm
Price: $15 includes wine (pay at door, cash only)
Reservations: 212-339-2092 or rogersmitharts@rogersmith.com

The Roger Smith is a hub for social media in #NYC. People. Art. Food. Wine. For 10% off our best available rooms rate: bit.ly/RSrooms

twitter: twitter.com/rshotel
fb: facebook.com/rogersmithhotel
blog: bit.ly/RSlife
web: rogersmith.com/

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Working in various disciplines the members of AMBruno were brought together by ‘their wish to extend beyond their particular discipline, be it painting, photography, video, performance or sculpture’. Initially this exploration focused on the medium of artists’ books; a number of which are now in private and major public collections, including those of the Tate and the Victoria & Albert Museum.

AMBruno‘s commitment to experimentation led the members to take their work beyond the material temporality of the book, into that of the moving image. It was proposed that each member develop a screen work with the single formal constraint of 101 seconds duration; being more than a clip but less than a short.

Watch The Interview

Teaser by John Birdsong

Twenty-three pieces were shown at The Stanley & Audrey Burton Gallery, University of Leeds in March 2010. The success of this has encouraged the group to expand the project by inviting an open international submission for new works, made to the same time specification. In order to truly represent the formidable variety and quality of proposed pieces 101 works have been selected. These films have been produced with a wide range of technical means, from mobile phones to high-definition video. Forms include animation, live action, sequential stills, written text and computer-generated image.

101 was initiated by Sophie Loss. The project was developed and co-ordinated by Sophie Loss and John McDowall. Additional supervision by Joanna Hill with the help of Judy Goldhill, Claire Deniau and Steve Perfect.

PROJECT 101
PARTICIPATING ARTISTS
Charlotte Andrews   John Archer   Louise Atkinson   Joseph Cutts   Sara Dell’Onze   Claire Deniau   Manya Donaque   Georgia Elizey and Tim Riley   Warren Garland   Clara Glyn   Tim Goffe   Judy Goldhill   Joanna Greenhill Jane Grisewood   Joanna Hill   Lilian Igbinosun   Ingrid Jenson   Carl Jaycock   Kurt Johannessen  Paul Jones   Sean Kaye and Jenny West   Noe Kidder   Sharon Kivland   Ron Lapid  Philip Lee   Simon Lewandowski   Toby Lloyd  Sophie Loss   John McDowall  Katherine Melancom   Steve Perfect   Veronica Perez Karleson   Christina Reading   Lucy Reynolds   Rekha Sameer   Carl Slater   Chris Taylor   Susan Trangmar   Cally Trench   Helen Wood

The Roger Smith is a hub for social media in #NYC. People. Art. Food. Wine. For 10% off our best available rooms rate: bit.ly/RSrooms

twitter: twitter.com/rshotel
fb: facebook.com/rogersmithhotel
blog: bit.ly/RSlife
web: rogersmith.com/

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