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“Rabid Rocky” a Roger Smith Short by Daniel Brothers

Birdsong — Wed, 14 Jul 2010 18:56:29 +0000

Love can be painful to swallow. In this blacker than black comedic treatment of a lost romance, director Daniel Brothers touches on more than just pain caused by lost love. Coping is just half the battle.

Directed by Daniel Brothers

Roger Smith Shorts Film Festival Workshop 2009

Cast: Bryant Sullivan, Serene Aandahl, Cameron Mayo, Anna Bauer, David Green
Crew: Executive Producer: John Knowles, Brendan Crane – Associate Producer: Thomas Henwood – Assistant Director: Joseph E. Torres – Camera: Mitchell Frye, Daniel Brothers – Editor: Janna Hochberg – Sound Mix: Anton Kreisl

About the Roger Smith Shots
With support from Ghetto Film School, Brooklyn Brewery and the Roger Smith Hotels patronage to the arts, the Roger Smith Shorts 09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.

http://www.crashrecordsfilms.com

http://www.panmanproductions.com

http://www.rogersmith.com

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Molly Barnes Brown Bag Lunch: LIVE Today @12pm EST

Birdsong — Thu, 08 Jul 2010 16:00:27 +0000

“Powerful Women”

Paul Tschinkel

The documentary filmmaker will talk about “Powerful Women” films he has made of Louis Bourgeois, Alice Neel, and Kiki Smith.

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“Clean the Room” a Roger Smith Short by Dmitry Povolotsky

Birdsong — Wed, 07 Jul 2010 19:13:57 +0000

A whimsical reinterpretation of mistaken identity, Director Dmitry Povolotsky explores this classic subject matter focusing his comedic vision on a hotel maid, a diva actress, and her lover.

Written and Directed by: Dmitry Povolotsky

Roger Smith Shorts Film Festival Workshop 2009

Cast: Susan Brady, Michael Mason, Sarah Lilley

Crew: Executive Producer John Knowles, Brendan Crane

DP: Christina Voros – Art Direction: Julia Cairo – Asst. Director: Rebecca Conroy – Sound Recordist: Marcin Tyszka – Editor: Julia Kots

About the Roger Smith Shorts
With support from Ghetto Film School, Brooklyn Brewery and the Roger Smith Hotels patronage to the arts, the Roger Smith Shorts 09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.

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It’s Wednesday. Here’s Your Roger Smith Short.

Birdsong — Wed, 30 Jun 2010 17:16:04 +0000

In on the rocks, two dudes are confronted with the task of scoring ice for drinks for their dates. What happens to them on this journey is both destructive and life affirming. The protaganists are faced with a grisly task in order to get the ice cold redemption which they seek. We are faced with the question: Will this experience put their friendship “on the rocks” or will it strengthen their resolve?

Director: Sean Cunningham 2009

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Hats Off To Our Friends (Red Sox Hats That Is)

BrianSimpson — Sun, 21 Feb 2010 20:50:14 +0000

Back in January Adam Wallace and I (Brian Simpson) had the chance to speak at Jeff Pulvers #140Conf Meet-Up in Cambridge, MA. While we were there we were invited, via Twitter, by The Colonnade Hotel (@Colonnade) to come have lunch and talk ‘social media’. We met with Chris, Nicole and Katie at Brassarie Jo’s inside the Colonnade. A couple of weeks later Katie was in NYC for business and stopped by to say hello and visit The Roger Smith. This is how connections and friendships evolve. Last week I decided I needed a new Red Sox hat, and in my opinion, there is only one place to buy one, Yawkey Way – outside of Fenway Park. I spent the weekend in Boston and enjoyed amazing hospitality at The Colonnade. As a resident of Boston for thirteen years The Colonnade was always my popular Summer hang-out due to their great rooftop pool! Being able to actually stay there was indeed a treat. I even ran into a couple people I knew that now work there. Because of their involvement and commitment to social networking I have a new Boston ‘home’. If you are ever in the Boston area or live near Boston I suggest you go by for a room, a bite to eat or a drink by the pool (Summer only). You will not be disappointed.

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@RShotel Food Writers’ Conf: All of the Panels (Video Archive)

Birdsong — Tue, 16 Feb 2010 17:46:28 +0000

Is tradition in print food writing dead? The closing of Gourmet and the large number of jobs lost in traditional food magazines and newspapers suggests it is. If it is dead, what will replace it? And how can one make the alternatives financially viable? These were some of the questions that fifty-eight of America’s top writers, editors and agents addressed at the Roger Smith Food Writers’ Conference held last Friday, Saturday and Sunday (February 12-14). Twelve sessions and four workshops discussed the current and future state of food writing in newspapers, magazines, cookbooks, blogging, ezines, websites and ebooks. The main message was simple: The food writing field is in rapid transition and success now depends on adopting a multi-media approach to communicating – including traditional good writing plus video, blogging and social media. Attendees were excited by the possibilities of the new media, but how to make these new media generate full time salaries for professional food writers remains unclear, and many attendees wondered if professional food writing was dead– and it would now just become a hobby for those interested in food.

Andy Smith

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click here to watch

From Websites to Blogs to Facebook
Food writing has progressed from tiny triangular marks impressed in clay tablets, stored in heaps in Mesopotamia, to much tinier magnetic impressions stored somewhere “out there” in cyberspace. Changes in the medium may change the message, but the goal is the same: writers want readers to experience their work—what’s different is that readers get to respond to writers more directly than ever before. Like it or not, food writing is not likely to change back to the one-directional medium it once was.
Gary Allen, chair
Irena Chalmers
Mitchell Davis
Bret Thorn
Laura Weiss

click here to watch

TV and Beyond: The Future of Food and Cooking in Broadcast Media
Beginning with home economist-hosted programs in the 1940s, cooking on television has evolved over the last sixty plus years into a phenomenal industry and pastime. What does the future of food media look like and where/how will we view it? Who will be our guides? What will we be taught and how and what will we learn?
Kathleen Collins, chair
Geof Drummond
Joe Langhan
Dana Polan
Krishnendu Ray

click here to watch

The Future of Food Writing on the Internet
This panel will explore how the continually changing, ever-evolving world of Internet technology is impacting food writers. Will technology make it easier–or harder–for writers to make a living? Will there come a time when a writer can completely sidestep traditional media and become successful, financially and critically? How will developing technologies impact–positively and negatively–the industry
David Leite, chair
Elissa Altman
Joe Langhan
Bonnie Tandy Leblang
Renee Schletter

click here to watch

Blogs with Tweet Sauce: The Future of Recipes

The Internet and television cooking shows have irrevocably changed the way cooks search out and use recipes. How do we deal with the challenges of this new environment? What recipes can we trust? Is the on-line community fostered by recipe ratings of any value? This panel will explore the future of recipes, their reliability, their validity as cultural documents, and their impact on how people learn to cook and go about preparing daily meals.
Lorna Sass, chair
Elissa Altman
Melissa Clark
Barbara Haber
Amanda Hesser
Sarah Kagan
Barbara Ostmann

click here to watch

Powerful Potables
Calling all cork dorks and coffee geeks! How is the increasingly specialized world of beverage writing evolving? How have platforms like Wine 2.0 changed the playing field? If you already write about food, what tools & training do you need to expand into writing about wine and other potables.
Kara Newman, chair
Alice Feiring
Alan Kropf
Nora Maynard

click here to watch

Good-Bye Gourmet, Hello Yelp!: The Changing Role of the Restaurant Critic
However much the media landscape has changed, people still want to know where to eat. This panel on restaurant reviewing will touch on the past, current, and future of restaurant reviewing. Emphasis will be placed on changes in the relationship between the reviewer and diners, the reviewer and media outlets, and the reviewer and the restaurant industry. The craft of reviewing restaurants will be explored in the context of other forms of cultural criticism.
Mitchell Davis, chair
Gabriella Gershenson
Irene Sax
Robert Sietsema

click here to watch

Food for Thought: The Future of Academic Food Writing
Recent years have witnessed an explosion in academic food writing. Food series have rolled off university presses and specialized and cross-disciplinary journals abound, all to sate the growing appetite for classroom materials and scholarly investigation. This panel unites distinguished authors and editors in the academic world to assess where we are and where we might be going in this hot pot of academe.
Cathy Kaufman, chair
Ken Albala
Jennifer Crewe
Bruce Kraig
Marion Nestle
Andrew F. Smith

click here to watch

Turning Your Life and Food into a Best Seller

In today’s world, food writing is everywhere– in newspapers, magazines, recipe headnotes, web sites, blogs and tweets. Much of it is informative and some of it pretty interesting, but not necessarily the stuff of literature. For that, readers turn to memoirs–some food based, some with food as a potent ingredient unveiling other lives and times. What distinguishes a food memoir and makes it fresh? These panelists will tell you how they did just that.
Judith Weinraub, chair
Monica Bhide
Kathleen Flinn
Betty Fussell
Mimi Sheraton

click here to watch

Food Writing Profession: Current State and Future Prospects

Holly Hughes’ words, “Food has never been so high on America ’s agenda – are 21st-century food writers ready to meet that challenge?” To open the conference, a panel of four food-writing visionaries will present the art of food writing historically, presently and in the future from their points of view. Molly O’Neill will discuss the changing context of American food writing, including food-travelogues to a social/political commentary on the world to legitimization of the nostalgia cult. In a more microscopic way, Holly Hughes will focus on the past decade in food writing. How do the lines between journalism and entertainment blur, considering celebrity chefs and television cooks who produce cookbooks? Where do food safety and health fall in the spectrum of food writing today? Then, with a macro view of the world of food words, Ray Sokolov will look into the future. He sees the future of food writing much like its past, only more so. Moderator Antonia Allegra will look at why food writers write, even in this difficult economy; and she will discuss the thrust of food writing for cookbooks and other culinary writing as it exists today.
Antonia Allegra, chair
Holly Hughes
Molly O’Neill
Ray Sokolov

click here to watch

Surface or Substance: Food Writing in Magazines
What is the role of magazines in the food world today? Should they provide a practical guide to the kitchen, with plenty of recipes and useful techniques? Should they offer diversion through lifestyle stories and glossy images that make readers drool? Or do magazines have a responsibility to report on the ethical and political issues surrounding food in the twenty-first century? This panel of seasoned magazine editors and writers will explore the possibilities and limitations of food writing for magazines today.
Darra Goldstein, chair
Dana Bowen
Barbara Fairchild
Jane Daniels Lear
Jordana Rothman
Bret Thorn

click here to watch

Cookbooks and the Cyber-Age?

This panel will examine the current state and highly uncertain future of cookbook publishing. Panelists will consider how shifting patterns in home cooking and restaurant dining are altering people’s expectations of cookbooks. They will also discuss the impact that television has already had on the American cookbook audience as well as the radical changes being brought about by new phenomena such as cyber-publishing, culinary websites, blogs, and online recipe searches.
Anne Mendelson, chair
Rux Martin
Molly O’Neill
Roy Finamore
Angela Miller

click here to watch

Fight and Flight: the Newspaper Food Section of the Future

Fight and Flight: the Newspaper Food Section of the Future
A discussion of the evolution of food writing as newspapers take on the challenges of a very new day. The effect of RSS feeds; blogs; recipe websites; Twitter; the Food Network; and the turn away from print, on content, style, format, and even survival.
Cara De Silva, chair
Jane Black
Sylvia Carter
Kim Severson
Judith Weinraub

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#SocialMediaBacon @RShotel after the Audience Conference.

AdamWallace — Mon, 09 Nov 2009 17:07:27 +0000

“If there was a god of bacon, it lives at the Roger Smith Hotel.” – Chris Brogan.
After the Audience Conference on Nov. 6 2009 a crowd of social media enthusiasts gathered at the Roger Smith Hotel. For those of you who do not know, If you tweet you location and food while you are @ the Roger Smith Hotel #SocialMediaBacon @RShotel, you will receive a free order of bacon. The bacon @RShotel is specifically cut to the perfect thickness for your enjoyment. Make sure you ask about Social Media Bacon, when you are at Lily’s in the Roger Smith Hotel.

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Kiki Valdes Debuts Pop Up Show in NYC

AdamWallace — Thu, 22 Oct 2009 22:34:33 +0000

Oct 09 – New paintings from Miami artist Kiki Valdes appear for 5 days only at the Roger Smith Hotels new social media experiment, the Pop Up Shop. Reception will be on Thursday, Oct. 22nd 2009 with the artist creating a piece on sight. Time is between 7 – 9pm. It runs from Oct 20 – 25th. The mini show is curated by Melissa Gonzalez and produced by John Knowles & Panman Productions. Special thanks to everyone at the Hotel for making this possible.

Kiki Valdes: Pops Up in NYC
Thursday, Oct 22nd 2009

Roger Smith Hotel/Pop Up Shop Project Space
47th Street and Lexington Avenue, Midtown NYC
6pm – 9:45pm

Kiki Valdes
RS Popup Shop

Free TV : Ustream

Kiki Valdes was born in Miami. FL at the same downtown hospital Bob Marley passed away just a month after in 1981. He attended the New World School of the Arts high school along with other ambitious classmates Jessica Sutta of Pussycat Dolls and paper artist Jen Stark. He later attended Maryland Institute College of Art in Baltimore, Maryland. During this time he published with his brother Humby a punk rock, culture and humor underground zine called OpenZine (which later became http://www.facebook.com/l/bc279;www.OpenZine.com, a site where anyone can publish web magazines) During the evenings Kiki would paint in his studio and later on pass out the newsprint publication at mostly punk venues such as CBGB’s in New York and Churchill’s in the inner city of Miami.

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Molly Barnes Brown Bag Lunch LIVE! stream (pre-rec) with Ken Collins and Victor Wishna

Birdsong — Fri, 16 Oct 2009 16:12:39 +0000

Friday, October 16th – Ken Collins – Photographer for the New York Times,

and New York Magazine, along with interviewer Victor Wishna, will talk about their new book “In Their Company” which features portraits of contemporary American playwrights.

Enjoy.

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RS Shorts Productions Photographs

AdamWallace — Wed, 19 Aug 2009 22:45:58 +0000

A series of production photographs from day 2 of the Roger Smith Shorts by Adam Wallace. The 6 film crews are in the middle of full production and have taken the hotel by storm. Every shot that they take for the film is on property at the hotel. The sets and productions they are creating are amazing. Each director has their own style and is taking a different approach to the task. All have their own crews and their own equipment. The production is quite a sight to see here at the hotel.

Slideshow of Photographs

About Roger Smith Shorts

With support from Ghetto Film School, The Village Voice, Brooklyn Brewery and the Roger Smith Hotel’s patronage to the arts, the Roger Smith Shorts ‘09 (Festival Workshop) was conceived. The concept was envisioned as a collaboration of creativity and ingenuity among visual storytellers and those who form the structure behind it.

During this inaugural workshop, six hand-selected emerging directors will be given the opportunity to interact with panelists, industry professionals, and each other as they live at the Roger Smith Hotel.

Each filmmaker will be given five days, access to actors and assistants, and a maximum of three crewmembers. Throughout the course of the week, workshop filmmakers and Ghetto Film School fellows will participate in daily panels and discussions. Workshop events range in topic from scriptwriting, casting, and all aspects of production to publicity & public relations, business & legal affairs and film finance.

Unique to our program, filmmakers are required to create their short films entirely within the confines of the Roger Smith Hotel.

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